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The work unfolds between what has been burned and what remains malleable—between fire as destruction and fire as formation. Ashes, scorched remnants, and fragments of earth become vessels of narration, while the landscape emerges as a body that remembers, resists, and regenerates.

Clay and ceramic elements, fired by flame like the land itself, carry memory into permanence. The waters of the sea and the thermal baths soothe and heal, allowing memory to remain fluid, while antimony mining reveals the tension between natural transformation and human intervention.